1/30/2024 0 Comments Bias amp 2 amp listNext, we move on to the guitar match feature. When running a patch with a lot of effects, we found the pedalboard view is a bit easier to use than the default, allowing you to tweak both the amp settings and those on the ‘board as if it was in front of you. You’re not limited to the guitar either, try running BIAS on that synth backing for an injection of warmth and realism. Whether you’re reamping an existing take or recording directly into your DAW, the ability to add in such a huge range of effects can really level up the creativity of your productions, whether it’s a subtle bit of chorus to thicken up a clean guitar tone or adding an octave effect to that gnarly guitar riff. The range of effects is unparalleled and the ability to quickly chop and change the signal path makes BIAS FX 2 a fantastic creative tool for home producers. When you start double tracking takes and quadrupling the amp sounds you can quickly and easily get that huge wall of sound guitar tone. You can make some behemoth guitar tones this way using some of the more high gain options, as well as some super robust and articulate clean tones. Softube Amp Room: Featuring licensed Marshall emulations, Softube Amp Room flies under the radar compared to some bigger names but still provides quality tones.Ĭreating from scratch is really easy, and we love being able to get dual amplifiers and get the best out of two totally separate signal chains. Native Instruments Guitar Rig 6: Featuring some of the best and most creative use of effects around, Guitar Rig 6 is a powerhouse for producers. IK Multimedia Amplitube 5: Another seriously complete guitar plugin, Amplitube gives you a huge amount of amps and effects to play with. You can really hear the room when you drop the mic position further away, and the difference in sound from the center of the cone to the edge is just like it is in real life. It makes blending multiple guitar takes so much easier, allowing you to mix and match mic tones and distances to fantastic effect. We found the original version of BIAS FX 2 wasn’t the most responsive when it came to tweaking the microphone position, but with the latest update, you can clearly hear the changes as you sweep across the speaker cone. We set to laying down a few tracks for our latest guitar demo, diving into the tweaking of the cabs. Pick softer and you can feel the amp cleaning up, whilst it grits the more you dig in. It screams back at us with plenty of saturation and no hint of that overly surgical digital sound. Next, we delve into something more high-gain with the clearly Tom Morello-inspired dual Marshall setup. It responds just as you’d imagine with that signature mid-scoop and glassy texture, and there’s a real feel of playing through an amp that comes through our studio monitors. There’s a crazy amount of presets available but we start with the default Fender clean amp to get a feel for it. Installation of the software is a breeze and the update is handled automatically within BIAS when we load it into our DAW. For the purposes of our review, we’re using BIAS FX 2 Elite in Pro Tools with our favourite Telecaster, Stratocaster, Jazzmaster, and of course our baritone guitar for when we need to get heavy. Now that we’ve gotten the ridiculously long feature list out of the way, let’s get into actually using it. There are around 50 brand-new effects in the Elite version with the recent upgrade, making it one of the most complete sets of effects available at the moment. From Klon Centaur and Keeley Compressor to Boss DM-3 and Binson Echorec, pretty much any effect you can think of is here and accurately modelled. Of course one of the big appeals of BIAS FX 2 is the pedal selection and it doesn’t disappoint. With the Elite version, you’ll also get a selection of official Celestion impulse responses, and the ability to load your own remains from the previous version. The selection of classic mics remains, from the SM57 to the Sennheiser MD421. The cabinets have had a huge upgrade as well, with totally refreshed sounds and a streamlined interface for editing sounds. It’s like being given the keys to your local guitar store and told you can have one of everything Many of the classic BIAS models have also received a remaster with the new DSP engine, with the aim of improving the dynamic response and getting a more realistic tube saturation. You can even create a hybrid of your two favourite amps, extracting certain characteristics of their EQ to create something totally unique to you. There are more famous amp models we can name in one article here, with Fender cleans to 5150-inspired high-gain monsters and everything in between.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |